12/15/2023 0 Comments 2001 a space odyssey themeShelley Long left the show after season five in pursuit of a movie career that didn’t quite pan out. Here’s what I already know about Cheers: I’m aware of the Sam and Diane storyline. However, I won’t divulge any significant spoilers. I’ve acquired knowledge about the show through various means, such as reading, listening to discussions, and brief forays into the world of made-for-TV movies. I want to be transparent regarding my familiarity with Cheers. Yet, I strongly suspect, based on the opinions of those older than me whom I hold in high regard when it comes to television, that Cliff Clavin is just as quotable as Homer Simpson or Chandler Bing. The adults we respected (or didn’t) also loved these shows.Ĭheers, on the other hand, seems relegated to the Hallmark Channel, hidden away and seemingly forgotten among old Hallmark Hall of Fame made-for-TV movies.Īlthough it eventually earns the label “timeless” whenever it’s mentioned, there’s a misguided notion that Cheers isn’t relatable to the 18-34 age group in 2013. We enjoyed them during our initial viewings, even if we didn’t comprehend all the jokes. Why? Because I belong to my generation, hovering on the border between Generation Y and the oldest Millennials.Ĭheers isn’t as frequently mentioned among my peers as the ’90s shows The Simpsons, Seinfeld, and Friends, all of which were part of our childhood. The show’s impact on the sitcom genre and its ability to create relatable, multidimensional characters have contributed to its lasting popularity and influence.ĭespite watching twenty different comedy series every week, I haven’t seen a full episode of Cheers. They are the Adam and Eve of “Will They, Won’t They” relationships, serving as both the pioneers and the ultimate standard for all the men and women who love and loathe each other and take a season or two to come to terms with it. Furthermore, Cheers holds the distinction of shaping true TV romance, or perhaps it was lust, through the tempestuous relationship between Sam Malone and Diane Chambers. It doesn’t matter that earlier shows like Barney Miller and Taxi received critical acclaim and delivered humor while focusing on surrogate families. Other showrunners from a similar generation share a deep connection to Cheers, as the show aired at some point during their formative years. Harmon alternates between likening the Greendale study room table to the Cheers bar and the monolith from 2001: A Space Odyssey. In various interviews, Schur has praised the 1982-1993 show, especially its clever and witty dialogue that harkened back to the sharpness and eloquence of old radio plays and legitimate theater, setting it apart from the crowd, which was increasingly dominated by movie references and metacommentary about television itself. Sometimes, the creators of these shows openly acknowledge their inspirations.įor instance, Michael Schur and Dan Harmon, the masterminds behind Parks and Recreation and Community, are known fans of Cheers. Whether it can be precisely quantified or not, every scripted comedy in existence today carries the influence of Cheers.
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